I am a soundmaker.
News
I have been recording my voice every day since September 11, 2020. --> nh-voices.com
- 7/16/2022
- Born Creative Festival 2022 | ボンクリフェス2022
- @ Tokyo Metropolitan Theatre / info
- 6/20/2022
- 4 digital tracks released / renewal | デジタル音源発売／リニューアル
- “Crab Music 蟹の音楽” “The Elephant Died ぞうが死んだ” “Harness” / “Harmony”
- info (bandcamp)
- 6/13/2022
- CD-R “-ist” released
- *President Putin's speech was processed into electronic music.
- info (OMEGA POINT) / sample (SoundCloud)
- 3/21, 24, 27/2022
- Aya Kawazoe “Howling” (sound design: Nobuhiko Hayashi) | 川添彩『とおぼえ』（音響デザイン：林暢彦）
- @ 東京藝大映画専攻修了制作展2022 / info
- 3/18/2022
- “Harness” Won the Prize ACSM116 & the Prize MOTUS |《Harness》ACSM116賞 & MOTUS賞 ダブル受賞
- @ Contemporary Computer Music Concert 2022 / info (acsm116)
- 3/18-4/18/2022
- “Harness” world premiere |電子音響音楽《Harness》世界初演
- @ Contemporary Computer Music Concert 2022 / info (acsm116)
- 2/27/2022
- NFT art series “habitat2” released | NFTアート《habitat2》販売開始
- listen & buy (OpenSea) / YouTube / concept
- 2/4-20/2022
- Aya Kawazoe “Night Train” (sound design: Nobuhiko Hayashi) | 川添彩『夜の電車』（音響デザイン：林暢彦）
- @ The Yebisu International Festival for Art & Alternative Visions 2022 / info
- 2/2/2022
- Kokichi Yanagisawa + Nobuhiko Hayashi Duo (video document) | 柳沢耕吉 + 林暢彦 デュオ（記録動画）
- YouTube
- 11/24-12/26/2021
- Groupe exhibition Ryūkō | グループ展「粒光」
- @ Akibatamabi 21, Tokyo / info(Akibatamabi 21)
- 10/10/2021
- Sound design for FOREST-FOLK MUSEUM KASUGA | 春日 森の文化博物館 音響デザイン
- @ FOREST-FOLK MUSEUM KASUGA, Gifu / info(IAMAS)
- 7/8/2021
- “Graft the Voices” special website
- website
- 7/7/2021
- Ecomimesis —Ladders—
- website / IAMAS Time-Based Media Project
- 4/24-5/8/2021
- Humongous! + Film Works by Aya Kawazoe | とてつもなく大きな ＋川添彩監督作品特集上映
- @ Theatre Image Forum, Tokyo / info
Works
Buy
- 粒光 | Ryūkō (Japanese only) (2021)
- 117について | About the "117" (Japanese only) (2021)
- 裏庭 | Backyard (Japanese only) (2019)
CD-R
SILENCE TRADE 1 | 無言交易１
SOLD OUT
Tracks
NFTs
Documents
Profile
Nobuhiko HAYASHI | 林 暢彦
Sound maker, born in Aichi, Japan in 1992. His work includes algorithmic generative music, sound installations, and sound design for dance and film.
His work focuses on themes such as recording, sound and listening, and the origins of voice and language in the environment.
In 2021, he presented "117", an experimental cinematic installation that explored the synchronization and dissonance between hearing and seeing in visual experience, and between time and real time in repetitive media. In 2020, the short film "Humongous!" directed by Aya Kawazoe, for which he wrote the music, was screened in the Short Film section of Cannes Film Festival Critics Week. He has also started a lifelong recording project, "Graft the Voices", which will be released in 2021.
林 暢彦 | はやし のぶひこ
音響作家。1992年愛知県生まれ。アルゴリズミックな生成音楽、サウンンドインスタレーション、ダンスや映画のためのサウンドデザインなどを手がける。
録音、音と聴取、環境における声と言語の起源などをテーマに制作。
2021年、映像体験における聴覚と視覚、反復されるメディア内の時間と実時間との間での同期と不一致をテーマにした実験映画的インスタレーション《117》を発表。2020年、音楽を手がけた川添彩監督の短編映画『とてつもなく大きな』はカンヌ国際映画祭批評家週間短編部門で上映された。また、生涯にわたる録音プロジェクト《声を接ぐ》を開始(発表は2021年)。
Contact
ktmktkb_iaiaaoo(at)yahoo.co.jp