I am a soundmaker.

News

I have been recording my voice every day since September 11, 2020. --> nh-voices.com

  • 8/24/2022
  • “Harness” French premiere |《Harness》フランス初演
  • @FESTIVAL FUTURA, ESPACE SOUBEYRAN, Crest, France / info
  • 7/15-16/2022
  • “Harness” revised premiere |《Harness》改訂版初演
  • @Born Creative Festival 2022 ボンクリフェス2022, Tokyo Metropolitan Theatre, Tokyo / info
  • 6/20/2022
  • 4 digital tracks released / renewal | デジタル音源発売/リニューアル
  • “Crab Music 蟹の音楽” “The Elephant Died ぞうが死んだ” “Harness” / “Harmony”
  • info (bandcamp)
  • 3/21, 24, 27/2022
  • Aya Kawazoe “Howling” (sound design: Nobuhiko Hayashi) | 川添彩『とおぼえ』(音響デザイン:林暢彦)
  • @ 東京藝大映画専攻修了制作展2022 / info
  • 3/18/2022
  • “Harness” Won the Prize ACSM116 & the Prize MOTUS |《Harness》ACSM116賞 & MOTUS賞 ダブル受賞
  • @ Contemporary Computer Music Concert 2022 / info (acsm116)
  • 3/18-4/18/2022
  • “Harness” world premiere |電子音響音楽《Harness》世界初演
  • @ Contemporary Computer Music Concert 2022 / info (acsm116)
  • 2/4-20/2022
  • Aya Kawazoe “Night Train” (sound design: Nobuhiko Hayashi) | 川添彩『夜の電車』(音響デザイン:林暢彦)
  • @ The Yebisu International Festival for Art & Alternative Visions 2022 / info
  • 2/2/2022
  • Kokichi Yanagisawa + Nobuhiko Hayashi Duo (video document) | 柳沢耕吉 + 林暢彦 デュオ(記録動画)
  • YouTube
  • 11/24-12/26/2021
  • Groupe exhibition Ryūkō | グループ展「粒光」
  • @ Akibatamabi 21, Tokyo / info(Akibatamabi 21)
  • 10/10/2021
  • Sound design for FOREST-FOLK MUSEUM KASUGA | 春日 森の文化博物館 音響デザイン
  • @ FOREST-FOLK MUSEUM KASUGA, Gifu / info(IAMAS)
  • 7/8/2021
  • “Graft the Voices” special website
  • website
  • 4/24-5/8/2021
  • Humongous! + Film Works by Aya Kawazoe | とてつもなく大きな +川添彩監督作品特集上映
  • @ Theatre Image Forum, Tokyo / info

Works

  • Harness (2022)
  • Sound for a film "Howling" directed by Aya Kawazoe | 川添彩監督映画『とおぼえ』のための音響 (2022)
  • habitat2 (2022)
  • habitat (2021)
  • “Yukkuri” Radio (Slowly Radio) | ゆっくりラジオ (2021)
  • The Form What Surrounds Us | 取り巻くものの形式 (2021)
  • Ecomimesis —Ladders— | エコミメシス —梯子— (2019-2021)

  • Sound for a film "The Elephant Died" directed by Aya Kawazoe | 川添彩監督映画『ぞうが死んだ』のための音響 (2021)
  • 117 (2021)
  • Graft the Voices | 声を接ぐ (2020-)
  • Compost Music | 堆肥音楽 (2020)
  • Sound for a film "Humongous!" directed by Aya Kawazoe | 川添彩監督映画『とてつもなく大きな』のための音響 (2020)
  • Backyard | 裏庭 (2019)
  • Sound for a film "Night Train" directed by Aya Kawazoe | 川添彩監督映画『夜の電車』のための音響 (2019)
  • Silence Trade 181026 (2018)
  • Silence Trade 2 | 無言・交易 2 (2018)
  • Silence Trade 1 | 無言・交易 1 (2018)
  • Sound for a film by Takashi Ishida 2 (2016)
  • Sound for a film by Takashi Ishida 1 (2016)
  • awai/araware | あはひ/あらはれ (2016)
  • Untitled (For Talking Water) | 無題(言問う水沫のための)(2015)
  • Sound for a film "A Bagatelle" directed by Yui Kiyohara | 清原惟監督映画『ひとつのバガテル』音響 (2015)
  • Crab Music | 蟹の音楽 (2014)
  • Ahanachi. Mizoume (Pull Down the Ridge, Fill In the Canal) | 畦放ち、溝埋め (2014)
  • All over/over —for Dance Performance (2014)
  • KNOWNOWNEW —for Dance Performance (2014)
  • HARMONY —for Dance Performance (2013)
  • Untitled —for Dance Performance (2013)
  • kai-awase —sotoba-komachi | 貝合はせ 卒塔婆小町 (2012)
  • kai-awase | 貝合はせ (2011)
  • Buy

    CD-R

    SILENCE TRADE 1 | 無言交易1

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    Tracks

    NFTs

    habitat2

    Profile

    Nobuhiko HAYASHI | 林 暢彦

    Sound maker, born in Aichi, Japan in 1992. His work includes algorithmic generative music, sound installations, and sound design for dance and film.

    His work focuses on themes such as recording, sound and listening, and the origins of voice and language in the environment.

    In 2021, he presented "117", an experimental cinematic installation that explored the synchronization and dissonance between hearing and seeing in visual experience, and between time and real time in repetitive media. In 2020, the short film "Humongous!" directed by Aya Kawazoe, for which he wrote the music, was screened in the Short Film section of Cannes Film Festival Critics Week. He has also started a lifelong recording project, "Graft the Voices", which will be released in 2021.

    林 暢彦 | はやし のぶひこ

    音響作家。1992年愛知県生まれ。アルゴリズミックな生成音楽、サウンンドインスタレーション、ダンスや映画のためのサウンドデザインなどを手がける。

    録音、音と聴取、環境における声と言語の起源などをテーマに制作。

    2021年、映像体験における聴覚と視覚、反復されるメディア内の時間と実時間との間での同期と不一致をテーマにした実験映画的インスタレーション《117》を発表。2020年、音楽を手がけた川添彩監督の短編映画『とてつもなく大きな』はカンヌ国際映画祭批評家週間短編部門で上映された。また、生涯にわたる録音プロジェクト《声を接ぐ》を開始(発表は2021年)。

    Contact

    ktmktkb_iaiaaoo(at)yahoo.co.jp

    音響制作のご依頼について